Pickpocket
"Or do we? Bresson, one of the most thoughtful and philosophical of directors, was fearful of `performances' by his actors. He famously forced the star of `A Man Escaped' (1956) to repeat the same scene some 50 times, until it was stripped of all emotion and inflection. All Bresson wanted was physical movement. No emotion, no style, no striving for effect. What we see in the pickpocket's face is what we bring to it. Instead of asking his actors to `show fear,' Bresson asks them to show nothing, and depends on his story and images to supply the fear." "`Pickpocket' is about a man who deliberately and self-consciously tries to operate outside morality (``Will we be judged? By what law?''). Like many criminals, he does it for two conflicting reasons: because he thinks he is better than others, and because--fearing he is worse--he seeks punishment." "Bresson films with a certain gravity, a directness. He wants his actors to emote as little as possible. He likes to film them straight on, so that we are looking at them as they look at his camera. Oblique shots and over-the-shoulder shots would place characters in the middle of the action; head-on shots say, `Here is a man and here is his situation; what are we to think of him?' "------- Roger Ebert DVD - The Criterion Collection
Curator's Comments: Read Roger Ebert's essay on this DVD Classic. Director: Robert Bresson Country: France
|
Copyright 1996, 2005, Library Media Project, Chicago,
IL dvdclassics@librarymedia.org
|