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The Feast of the Gods - Currently Unavailable
Conservator David Bull of the National
Gallery of Art in Washington, D.C., examines The Feast of the Gods,
by Italian painter Giovanni Bellini (1425/30-1516), and discusses the
cleaning and restoration of the painting, which uncovered some previously
unknown facts about its history. In 1514, Bellini finished the large canvas,
representing a bacchanal, for the camerino of Alfonso d'Este's castle
in Ferrara. Later, paintings were also commissioned from Italian painters
Titian (1477-1576) and Dosso Dossi (c.1490-1541). It has long been recognized
that the landscape in Bellini's painting is by Titian. However, X-ray
examination revealed an intermediate landscape between those of Bellini
and Titian. Bull presents evidence to support the theory that Alfonso
d'Este had Dosso alter Bellini's painting to complement Dosso's paintings
in the camerino. Later, Titian painted over Dosso's alterations, to bring
Bellini's painting into harmony with his own three paintings in the decorative
series. Describes the methods used to examine the painting, including
microscopy, pigment analysis, X-radiography, and infrared reflectography.
Uses computer graphics to reconstruct the way the paintings probably looked
in the camerino, which no longer exists. Shot on location at the Conservation
Laboratory of the National Gallery and in Ferrara, Mantua, and Venice,
where paintings by Bellini and Titian in the Basilica of Santa Maria Gloriosa
dei Frari are compared.Curator's Comments: Strikes a good balance between the excitement of the detective story and the scientific work of the restoration process. Intelligently written, clearly presented and accessible to a general audience. Effective use of computer graphics to show changes as the painting is restored. DATE: 1990 COUNTRY: United States CREDITS: PHYSICAL DESCRIPTION: TOPICS:
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